I have to admit this is a question I often ponder. In this article I seek to put my thoughts into words, perhaps you may or may not agree with them.
There are many within the entertainment industry that will do whatever it takes to climb the heights of success or to just get bookings. It doesn’t matter if they are a global superstar or John Doe the Singing Milkman. If I am honest for most the world of the superstar is far removed from everyday and everyday is where I wish to concentrate for the most part.
There are a lot of great ethical acts in the entertainment industry who are penalised by the unethical ones. The last few years has seen a change taking place within the entertainment industry, and the rise in popularity of shows like X Factor and Britain’s Got Talent has made everyone feel they can be a star; which is far from the reality. Whilst the numbers of those within the entertainment industry has risen, the number of venues has fallen, creating a wider disparity than originally existed. The market has become flooded and many acts are not of a suitable standard to even be in the industry, yet they remain a part of it why?
Well much of this comes down to ethics. An established act with a pedigree costs a lot more to book, also an established act is more likely to be doing things correctly and ethically which also raises costs. You are probably wondering how being ethical can increase costs and that is what we will look at.
When you book an experienced and ethical act what do you actually get for the money. Well hopefully you get an act that is honest, competent, professional, flexible and experienced, which understands their craft. For that you pay a premium to start. Then there is the ethical side to the equation, which also adds to the costs. A professional act will be insured, have safe equipment, reliable well maintained transport, pay tax, pay national insurance, perhaps dues to professional bodies as well as management and/or agents fees. They will also pay for relevant licences to carry out their profession legally. Not only does the income as an entertainer pay there wages part is also reinvested in updating to newer equipment and/or other aspects of a show. A stage magician has the cost of having new stage tricks constructed.
The unethical acts often use second hand equipment which is poorly maintained, have no insurance, have transport which is unreliable, do not pay tax or national insurance and do not work professionally.
What this means is that the unethical can offer services far cheaper than those who do work ethically. The margins on costs can run into hundreds of pounds and doing things right costs money.
Hiring an unethical act is conning yourself. Why? Well lets take just the taxation issue. Superstars go abroad to avoid taxes so why should others pay them? Here is why.
In today’s economy we all need to contribute, superstars abroad don’t put a strain on services they don’t contribute to. Taxes pay for children’s education, hospitals, and the care of the elderly, roads, policing, and a whole lot more. Those who work unethically in entertainment use those services without contributing, instead those who pay taxes pay for them. Yet venues and the public will book them. Everyone will do the occasional cash in hand off the books gig and I have no problem accepting that. It is the blatant, continued non contribution that frustrates and annoys me.
Booking unethical acts can put people at risk, and if god forbid an accident occurred who will be sued? Most likely the person who made the booking!!!
Ethical acts will also give fair and unbiased advice. They know being honest is important and will always do there best not to mis-inform or mislead. Unethical acts have no problem using any tactics to get bookings.
Few other industries would allow such lax standards or for people to get away with what many do within the entertainment industry. I for one would like to see acts have to show they are tax registered, have PLI, PAT and any other licences required before they can be booked and for it to be a criminal offence to book any act that cannot show the relevant documentation, with substantial fines, not polite warnings.
If all were held to the same basic standards with bookers just paying a premium for experience the playing fields would be a lot leveller and fairer. Of course bookers and venues play their own part in this ethical debate. They think that cheap is a good thing, some venues actively encourage acts to work “off the books” as it were so as to cut costs, so fueling the disparity and encouraging the cutting of corners. You may book cheap entertainment, but as the saying goes You Get What You Pay For. Put on a few cheap rubbish acts and it will kill trade, venues get a name for putting on bad acts so people avoid them, ultimately this can lead to a venue closing due to lack of funds, When that happens the ratio of acts to venues increases again. It is a spiral that just keeps revolving.
We all have a part to play to improve the ethical side of the entertainment industry, and we can all make a concious effort today to do so.
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©2011. Paul Sims. All Rights Reserved.



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